Pink Pocket Clutch

The exterior fabric for this pocket clutch is called "yui kokeshi" from the Alexander Henry collection. The interior red polka dot is from Robert Kaufman's primatex basics collection.

I debated for quite some time as to the front flap, whether to cut it as a separate piece so that the kokeshi dolls are right side up when the clutch is closed. The hubby said it looked better for all the dolls to be right side up (on the back view) when the clutch is opened. I'm still conflicted.

Curvy wristlet clutch and more wallets

I guess I should issue a spoiler alert. These purses are all intended to be Christmas presents, but I know that if I don't blog about them as I go along, I'll miss my opportunity. Also, it's unlikely the intended recipients will actually read this blog.

Anyhoo, this is the curvy clutch. The pattern is, as with the previous Keyka Lou patterns, very well drafted and easy to construct. I should note that I have been using a walking foot and a 100/18 needle, which probably makes sewing through the several layers of fabric that accumulate much easier to do.

This wristlet is about the same size as the fold-over clutch, measuring approximately 11 inches at its widest point, five inches tall, and 2.5 inches deep. It features a very secure wrist strap.

Fussy cut motif on both the front and back:

The fabric is from Amy Butler's Lotus line.

The matching wallet (basic wallet by Keyka Lou):

Again, I fussy cut the fabric to center and include as much of the repeating motif as possible:

The only difference between this wallet and the one I made to match the previous fold-over clutch is that I interfaced the front pocket instead of using a batting in order to eliminate some of the bulk. I think the double interfacing provided enough structure, so I will continue doing this in the future.

Here they are side by side:

Last but not least, the basic wallet for the hubby's i-phone. It might be hard to tell from the picture, but I used this absolutely lovely, crisp brown linen that I had bought a while back for a summer jacket. I figured I could spare the fat eighth it took to make this wallet. (The quality of these last two pictures is a little bit off -- I think my camera was metering the darkness of the brown linen, and I didn't know how to fix the automatic setting.)

The lining is a gingham by Michael Miller:


As a final thought (and in case anyone is interested), the background fabric I have been using for these pictures is from Summer Soiree collection by Paula Prass for Michael Miller.

Fold-over clutch

The design for the fold-over clutch is just so clever. This might be my favorite project to date:

The clutch measures about 11 inches wide at its widest point. Closed, as above, it is about six inches tall. Opened, as below, it is 11 inches tall (including the tab).

The fabric is Amy Butler's daisy chain, left over from a previous project. I reversed the outer and lining fabrics in comparison to the matching wallet that I blogged about yesterday.

I might attach a button here, just for a decorative element. But, I think it looks good just as is, too. Next time, I would also put the batting on the underside of tab to provide extra support for the magnetic clasp. The pattern had called for fusible interfacing on the lining side, and batting on top side.

Once again, I quilted the lining fabric with a low-loft cotton batting using a box diamond pattern. It's not completely necessary, but I wanted to add some stability and didn't want to take the chance that the batting would eventually migrate. The pattern recommends not using fusible interfacing, but I did use a woven interfacing on the main fabric. I'm thinking that I could have probably used a fusible batting too. Maybe next time.

The pocket is on the front side of the clutch, not the back as standard. The patternmaker, Keyka Lou, wrote that the pocket tended to gape when it was on the back side.